Yun Gee and Li-lan: Art Without Borders by Stephanie Buhmann
Different in style and execution, the restrained and delicately rendered works of Gee’s daughter Li-lan, reflect a similarly unique thirst for carving out an imaginative space. Though some of her earliest works date back almost five decades, it was a body of paintings from the mid-1970s, featuring still lifes with empty notebook pages that can be counted among her first mature achievements.